Plot. Gelsomina, an apparently somewhat simple-minded, dreamy young woman, learns that her sister Rosa has died after going on the road with the strongman Zampanò. Now the man has returned a year later to ask her mother if Gelsomina will take Rosa's place.

However, Federico Fellini utilizes neorealism throughout the film by featuring relatable characters that face very real challenges. These “challenges” appear as random events that appear throughout the film and seem to fall out of the sky. The characters either adapt and grow to them or overlook them and move on.

La strada, film score by Italian composer Nino Rota for the 1954 film of the same name by Federico Fellini. Rota's music was one of the relatively rare European film scores to attract wide attention in the United States as well.