La strada (The Road) is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano.
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Rating
(66,666)
The Road: Directed by Federico Fellini. With Anthony Quinn, Giulietta Masina, Richard Basehart, Aldo Silvani. A care-free girl is sold to a traveling ...
Missing: sca_esv= a7ed1b21a30ee360
Duration: 50:59
Posted: Jun 9, 2012
Posted: Jun 9, 2012
Rating
(786) · $44.72
Fellini's wife, Giulietta Masina, performed magnificently as her character slowly grew throughout the tale and Anthony Quinn brought the extra that was needed ...
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People also ask
Why is La Strada so good?
His vignettes fill his movie with beauty, sadness, humor and understanding. Although there are English subtitles and the voices of the Messrs. Quinn and Basehart have been dubbed into Italian, "La Strada" needs no fuller explanations. It speaks forcefully, poetically and often movingly in a universal language.
What happened to Rosa in La Strada?
Gelsomina, an apparently somewhat simple-minded, dreamy young woman, learns that her sister Rosa has died after going on the road with the strongman Zampanò.
Is La Strada in English or Italian?
Italian
ABOUT THE FILM:
In Italian with English subtitles. There has never been a face quite like that of Giulietta Masina. Her husband, the legendary Federico Fellini, directs her as Gelsomina in LA STRADA, the film that launched them both to international stardom.
Who made La Strada?
With this breakthrough film, Federico Fellini launched both himself and his wife and collaborator Giulietta Masina to international stardom, breaking with the neorealism of his early career in favor of a personal, poetic vision of life as a bittersweet carnival.
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Missing: sca_esv= a7ed1b21a30ee360
La strada. 1h 49m. Directed by Federico Fellini • 1954 • Italy Starring Giulietta Masina, Anthony Quinn, Richard Basehart. With this breakthrough film, Federico ...
Missing: sca_esv= a7ed1b21a30ee360
La Strada movie review & film summary (1994) | Roger Ebert
www.rogerebert.com › reviews › la-strad...
Apr 1, 1994 · The movie is the bridge between the postwar Italian neorealism which shaped Fellini, and the fanciful autobiographical extravaganzas which ...
Sep 4, 2012 · The result is a modest and rather moving film, achieving a poignancy that Fellini's facility and ego would frequently deny him in later years.
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